There is a grave lack of stakes for this world where no villain is outright visible, and the revolution rarely feels like this much of a slog. This is where Peacock's 'Westworld' aspirations kick in, and soon fall short.

In these frantic scenes, it’s a thrilling survival story, as they try to get to the border with the help of John’s mother Linda ( Demi Moore).Īll of this is just act one-by episode four, John is an outsider in New London, and by either letting himself be seduced by its way of life or resisting it, he’s going to mess it up. In another burst of creative energy, the tension between the two worlds snaps during an explosive scene that’s shot in one-take, rushing from different things, tossing Bernard and Lenina into a reality filled with acts of savagery they can’t comprehend. When episode one soars with with the climax of “Fake Plastic Trees” by Radiohead it hits in a way that “Brave New World” rarely does after, in part because its own constant urges for nothing less than emotional grandiosity wears the viewer out.Ī rebellion makes its way to the Savage Lands, and visitors from New London, Bernard ( Harry Lloyd) and Lenina ( Jessica Brown Findlay), are nearly killed.

People from New London come there to watch grotesque theater productions of his real life-John is a prop master, a “washer of cars,” a cog inside a machine, which is itself inside an even bigger machine. As “Brave New World” often does, it introduces this place with a snazzy, in-your-face commercial, emphasizing how much this home for people like John ( Alden Ehrenreich) is just Disney’s Animal Kingdom for others. It establishes a society where such lack of conflict is disturbing, but where the jumping death of a clone causes quite a stir because no one seems to have done that before, and where a monogamy is an offense punishable by being sent to have sex with someone else.īut there are bigger issues just minutes away from New London via shuttle im The Savage Lands (based in America), a place where humans aren’t popping Soma as if they were Tic Tacs, and where they do have families, monogamy, guns, and other things. For a story that’s about the power of stimulation, and how it can overwhelm to the point of control, it has plenty-bright costumes within a minimalist color palette, and a slick blend of real concrete architecture with green-screen vistas that give a bright image of New London. “Brave New World” starts with great promise in its first episode. In a way that makes all of it even more frustrating, this adaptation looks great but is definitively hollow, and in turn all of its parties, extensive discussions, and choreographed orgy scenes become simply exhausting. But like the most plodding of dystopian sagas, NBC's adaptation of Huxley's “Brave New World” spends an overwhelming amount of time simply proving why New London is counterintuitive, basing its most revelatory moments on rote notions of free will. In a pressure cooker of norms both strait-jacketed and freewheeling, humanity is on a collision course with forbidden love and revolutionary uprising.This is, of course, a bad idea for human beings, meant to reflect our most indulgent fantasies as in a place like HBO's 'Westworld,' of which 'Brave New World' is clearly trying to take after. Based on Aldous Huxley's prophetic 1932 novel, this genre-bending, science-fiction and fantasy drama imagines a world steeped in holographic pleasure, with hedonistic values re-branded as selflessness for the good of the collective. As members of society's upper echelons and those on the marginalized fringes begin to question the so-called faultless rules of their reality, perfection gets flipped on its head. Conditioned from birth at the Hatchery, residents of New London are assigned a letter of the Greek alphabet and relegated to predetermined life roles in accordance with expectations for their bio-engineered caste. In an idyllic utopia whose peace and stability hinge upon control of monogamy, privacy, money, family and history itself, everyone belongs to everyone else.

Brave new world show